“Hum Along and Dance (Gotta Get Down)” samples the Jackson 5 song of the same name and channels both the Motown and hip-hop influences of the ‘70s.
Wednesday, August 10, 2016
Tuesday, August 9, 2016
MAINTAIN KERRY LOUISE TAYLOR
Saturday, July 30, 2016
KERRY LOUISE TAYLOR
There are many genre's of music nowadays. You can download your favorite songs or listen to the radio. You can simply stay tuned to infinittraks music for more releases from Kerry Louise Taylor and more up and coming artist's in the near future. STAY TUNED FOR MORE SOUNDS FROM INFINITTRAKS MUSIC GROUP.
Sunday, July 3, 2016
Saturday, June 25, 2016
KERRY LOUISE TAYLOR BIOGRAPHY
A s A C h i l d i g r e w u p a r e a l s p i r i t u a l p e r s o n I w r o t e m y f i r s t s o n g a s s o o n a s i c o u l d w r i t e , I w a s h i t t i n g h i g h n o t e s b y t h e a g e o f 5 .
I S t a r t e d m y m u s i c a l J o u r n e y i n t h e m i d l a n d s w h e r e I w a s r a i s e d , F r o m 2 0 0 1 - 2 0 0 5 I T e a m e d u p w i t h T h e V i r u s C r e w a s a n m c i n t h e m i d l a n d s g r i m e s c e n e , I r e c o r d e d n u m e r o u s s o n g s i n c l u d i n g a L o w P r o f i l e R e c o r d s T r a c k c a l l e d H a t e r s f e a t s t i n g a D , p e r f o r m e d a t b e l v e r d e r e s o c i a l c l u b I w a s s t a y i n g i n l i v e r p o o l a t t h i s t i m e .
I e x p e r i e n c e d a n u n s e t t l e d l i f e w h e r e i m o v e d n u m e r o u s a d d r e s s e s I l e f t h o m e a t t h e y o u n g a g e o f 1 5 .
I W A S A G O D G I V E N T A L E N T A S A S I N G E R a s i g r e w u p b u t f o c u s e d m a i n l y o n r a p a l b u m s b y t h e n a m e o f U K e z . T h r o u g h y p r e s c h o o l y e a r s i a l w a y s k n e w w h e n I g r e w u p i d b e a s u c c e s s f u l s i n g e r s o n g w r i t e r .
G o d h a s a l w a y s b e e n m y i n s p i r a t i o n a l o n g w i t h m y m o t h e r A m a n d a . I n 2 0 0 5 i d i d a t r a i n i n g c o u r s e a s a s o u n d e n g i n e e r a t e k a w a a j O n e V o i c e w h e r e m o t o w n w a s f o u n d e d , I c o l l a b o r a t e d w i t h m i d l a n d s m a f i a a n d g . o . b , g l a m o u r , m n t i n t h e m i d l a n d s g r i m e s c e n e .
i n 2 0 0 6 i f e a t u r e d o n T h e S t r u g g l e A l b u m w i t h a m i d l a n d s b a s e d a r t i s t c a l l e d Z i m m a , ( u k h i p h o p ) I T h e n p a s s e d a p a n e l t o b e m y o w n b o s s w i t h t h e p r i n c e s t r u s t b u s i n e s s f u n d i n g a s U K e z t h a n k s t o m y T h r o u g h T h e S o u l R n b M i x t a p e .
I W a s e x p e r i e n c i n g a n u n s e t t l e d l i f e s o c i r c u m s t a n c e s m a d e m e h a v e t o m o v e t o l o n d o n i n 2 0 0 7 w h e r e I s t a y e d i n m a n y r e f u g e s a l l a r o u n d l o n d o n ,
I c o m p l i e d u p a m i x t u r e o f s o n g s i d w r i t t e n o v e r t h e y e a r s a n d p u t t h e m a l l t o g e t h e r a s m y i n s p i r a t i o n s a l b u m .
I n 2 0 0 8 , I t h e n b e c a m e a h u g e i n s p i r a t i o n t o a r t i s t s i n l o n d o n t o w n b u t h a d n t g a i n e d r e c o g n i t i o n i n l o n d o n a t t h i s p o i n t , I c o n t i n o u d t o r e c o r d s o n g s w i t h k s p i n 2 0 0 9 m y A U R A a l b u m , w h a t a l s o l y r i c a l l y b e c a m e a h u g e i n s p i r a t i o n t o o t h e r a r t i s t s ,
I n 2 0 1 0 I r e c o r d e d a n o t h e r a l b u m w i t h r e g g a e l e g e n d m c c l a p p e r s p r i e s t w h e r e w e r e m i x e d T r e y s o n g s B r a i n s T r a c k , a l o n g w i t h o u r I N L I F E a l b u m . a m o n g s t t r o u b l e s i w a s e x p e r i e n c i n g I s t i l l r e c o r d e d a n o t h e r a l b u m w i t h e d w a r d t r e a c e y m y c h a n c e s a l b u m a t a s t u d i o f u n d e d b y t h e a m y w i n e h o u s e f o u n d a t i o n n o n p r o f i t m a k i n g c h a r i t y , I w a s h o m e l e s s a t t h e t i m e s o I f o u n d t h i n g s h a r d s o i n 2 0 1 2 i a u d i t i o n e d f o r x f a c t o r a n d p a s s e d a l l m y a u d i t i o n s f o r t h e l i v e s h o w s , x f a c t o r b o s s e s l o s t m y c o n t a c t n u m b e r ,
s o i n 2 0 1 3 I r e c o r d e d m y o u r t i m e a l b u m w i t h m a t t c a t l o w f e a t u r i n g h i p m a n j u n k y a n d a k a r e y n o l d s . i n 2 0 1 4 I r e c o r d e d m y k e r r y h i t s t a p e f e a t u r i n g p r o d u c e r s l i k e r a l p h b e a t s , p l a t i n u m s e l l e r s b e a t s , ( p s b e a t s )
a l s o m y t r a n s f o r m a t i o n s a l b u m i n c l u d i n g s o n g s l i k e o p e n a r m s , f a l l e n a n g e l s b y v a s h e l i t e ( m u s i c b y g o n e ) g h o s t w r i t e r . I t h e n w e n t o n t o r e c o r d m y d r e a s t a p e b y d r e a s k y r i i n c l u d i n g s t a n d t a l l a n d j u s t w a t c h , s s h h h u p i n i t f e a t m a r k e r ,
I g o b y t h e a r t i s t n a m e o f k e r r y l o u i s e t a y l o r n o w a f t e r r e c o r d i n g 1 3 a l b u m s o f m u s i c i n t h e p a s t 1 2 y e a r s a s u k e z k e r r y t a y l o r m y l a s t 2 a l b u m a n d m i x t a p e a s k e r r y l o u i s e t a y l o r , i v e c a m e s o f a r i n t h e i n d u s t r y w i t h f u l l s u p p o r t f r o m a m e r i c a i f e e l g o d h a s l e d m e o n a m u s i c q u e s t a s o n e o f g o d s s p e a k e r s , i a m a t r a n s f o r m a t i o n a n d p r o o f t h a t w i t h d e t e r m i n a t i o n a n d f a i t h d r e a m s r e a l l y d o c o m e c o m e t r u e s o y e s I a m a r o l e m o d e l f o r y o u n g e r p e o p l e t o f o l l o w i n h o p e t h i n g s r e a l l y d o c h a n g e i f u l e t t h e m .
I l o o k f o r w a r d t o m y r e l e a s e s a s e v e r y t h i n g I h a v e e x p e r i e n c e d h a s m a d e m e w h o I a m t o d a y .
g o d b l e s s t h e p r o c e s s I l o v e t h e f a n s y o u r m y h a l o s a l l p l e a s e l o o k o u t f o r m y a u t o b i o g r a p h y i n t h e n e a r f u t u r e p l u s l o t s m o r e x x x x x l o v e K e r r y l o u i s e T a y l o r T M
m y m u s i c b i o g r a p h y - K e r r y l o u i s e t a y l o r a r t i s t
Sunday, June 12, 2016
Sunday, May 22, 2016
Robenson Destin: Producer Composer
Every decade the music industry changes so drastic that once in a blue a revolutionary producer changes the landscape of music creation.
Today Robenson Destin aka "DES" has over exceeded this expectation by being South Florida's go to universal international producer.
Being involved with music production and composing for over two decades Robenson Destin's music creation style although very unique can relate to all walks of life ages and genres. With very abstract experimental sounds mix with his Haitian caribbean upbringing, you can expect a host of different worlds coming together through his music. Just imagine a jazzy, pop, funk, international island groove with powerful hip hop background mixes. A sound this universal can appeal to all walks of life.
Most producers usually create there hits in typical noisey studio environments. Not DES his approach is more focused and personal. His workflow usually consists of meditating in his dimly lit production studio away from distractions right before he turns on his music gear and begins composing.
For being a veteran music composer his take on new technologies for producing is more progressive than most so called experience producers. He appreciates new forms of digital recording and loves how it's breaking down barriers however he honestly feels up and coming artists and producers are relying only on the simple ease of most software instead of innovating new sounds.
You would think a musical genius like DES would not be influenced by any other music producer but that is not the case. Robenson Destin's core influencers includes producers like Dr. Dre, Quincy Jones, Flipnosis, Prince, Jay Dilla and underground producers like RZA Black Milk and Prince Paul just to name a few. Though most would agree his music style shows no influence just uniqueness.
Production tools that is preferred by DES are the Yamaha Motif, Ableton Live, and Reason 9.5 all synced up to his classical MPC 2000 XL. These production tools of his was widely used on his current artist Kerry Louise Taylor and there up and coming album "INFINITE" scheduled for release later this year. You can here some samples of this amazing album here. Kerry Louise Taylor Infinite
Now after listening to this unique artist and hearing the amazing production its hard not think of them as superhuman higher beings, on the contrary DES like most producers has a very creative ear and understands rhythm and music composing and Infinittraks Music group's artist Kerry Louise Taylor from the UK brings a whole new sound to the music industry. Yes he is a mere mortal folks he even mentioned how he lossed dome of his best music production due to drum machines and keyboards freezing up and crashing. Usually happens to most producers creating a phenomenal hit track and getting carried away listening instead of saving and backing up the production files. Trust me I can Relate. STAY TUNED FOR MORE from Infinittraks Music Group and Kerry Louise Taylor.
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-written by Gerry "Grip Masta" Alaby
Being involved with music production and composing for over two decades Robenson Destin's music creation style although very unique can relate to all walks of life ages and genres. With very abstract experimental sounds mix with his Haitian caribbean upbringing, you can expect a host of different worlds coming together through his music. Just imagine a jazzy, pop, funk, international island groove with powerful hip hop background mixes. A sound this universal can appeal to all walks of life.
Most producers usually create there hits in typical noisey studio environments. Not DES his approach is more focused and personal. His workflow usually consists of meditating in his dimly lit production studio away from distractions right before he turns on his music gear and begins composing.
For being a veteran music composer his take on new technologies for producing is more progressive than most so called experience producers. He appreciates new forms of digital recording and loves how it's breaking down barriers however he honestly feels up and coming artists and producers are relying only on the simple ease of most software instead of innovating new sounds.
You would think a musical genius like DES would not be influenced by any other music producer but that is not the case. Robenson Destin's core influencers includes producers like Dr. Dre, Quincy Jones, Flipnosis, Prince, Jay Dilla and underground producers like RZA Black Milk and Prince Paul just to name a few. Though most would agree his music style shows no influence just uniqueness.
Production tools that is preferred by DES are the Yamaha Motif, Ableton Live, and Reason 9.5 all synced up to his classical MPC 2000 XL. These production tools of his was widely used on his current artist Kerry Louise Taylor and there up and coming album "INFINITE" scheduled for release later this year. You can here some samples of this amazing album here. Kerry Louise Taylor Infinite
Now after listening to this unique artist and hearing the amazing production its hard not think of them as superhuman higher beings, on the contrary DES like most producers has a very creative ear and understands rhythm and music composing and Infinittraks Music group's artist Kerry Louise Taylor from the UK brings a whole new sound to the music industry. Yes he is a mere mortal folks he even mentioned how he lossed dome of his best music production due to drum machines and keyboards freezing up and crashing. Usually happens to most producers creating a phenomenal hit track and getting carried away listening instead of saving and backing up the production files. Trust me I can Relate. STAY TUNED FOR MORE from Infinittraks Music Group and Kerry Louise Taylor.
Please subscribe by Sharing and leave a comment
-written by Gerry "Grip Masta" Alaby
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